B. 1985 Born in Hamburg, Germany

Lives and works between Copenhagen, London and Hamburg

ARTIST STATEMENT

Using Playfulness and experimentation I intend to create open systems that allow
interactions between humans and matter to take place. I am interested in fields that loosen our certainties and challenge our expectations of what reality is and how we see it. ‘How am I not myself’, is a series of chiefly large-format portrait works. The images are produced ‘in camera’, using a self-developed technique. I take multiple exposures of the sitters in motion, whilst interrupting the digital camera’s processing of the image. The camera collapses separate moments onto one another. Unable to fully translate the data, colors and shapes shift into varied chromatic effects. The camera adds its own agency to the outcome. All sitters are close friends I love and respect, each bringing their character and vulnerability into the situation. I consider these works materialisations of relationships. Records, of all designated things constantly exchanging, influencing and working inseparably together. Sites of encounters in a space beyond logic.

EDUCATION
Royal College of Art London, Master of Fine Arts, 2019-2021
Central Saint Martins, University of the Arts London, BA Theatre Design Performance, 2009

GROUP-EXHIBITIONS
2024 Flou 2, Studiolo Belville, Paris
2023 Future Focus: New Terrain, Parallel London, London 
2022 Flou, Flou Darkroom, Paris
2021 London Grads Now, Saatchi Gallery, London
2021 the December Exhibition, Nōua, Bodø Norway
2021 Like Nothing else in the universe, Where is the frame, online
2021 After the High Tide, Cromwell Place, London (show lead Tom Lovelace) 2021 RCA
2021, Royal College of Art graduate show, London
2021 The RCA Vice Chancellor’s Donnor dinner, Dyson Gallery London 2019 WIP Show, Royal College of Art, London
2019 Blue, Rapid Eye Darkrooms, London
2015 Gasoline No.3, Brooklyn Reverse Art Space, New York
2014 Gasoline No.2, Vandervoort Studios, New York

PUBLICATIONS

Agnes Costa, “FLOU”, Note Note Editions, 2022
Kohlhoff, Tyler: “Bloom”, Sedition Magazine, Vol. 3, 2019 Gasoline Magazine, Cover, vol. 4, March 2016
Interview Magazine, September 2015

AWARDS
2021 Travers Smith CSR Art Programme 21/22